An Image of a Tiger
Galerie Pompom
17 October – 11 November 2018
Special Thanks to Canbora Bayraktar, Tom Blake, Priscilla Bourne, Anne Bradford, Chris Dolman, Emma Fielden, Rebecca Gallo, Aaron Kiernan, Delilah Lyses-sApo, Chris Ross, Garry Trinh and Alana Wesley.
In An Image of a Tiger, Jess Bradford examines a Chinese cultural theme park in Singapore called The Tiger Balm Gardens to explore memory, cultural identity and representation. The fantastical Gardens depict traditional Chinese myths, history and folklore with outlandish painted concrete sculptures and dioramas set within fabricated grottos and mountainscapes. In her first solo show with Galerie Pompom, Bradford presents a series of miniature photorealist paintings and ceramic sculptures based on photographic documents, all installed within an encompassing wooden installation reminiscent of forms and pathways within the park. Having visited the park as a child, the artist now uses this site to explore her ambivalent connection to Singaporean-Chinese culture. She considers the site from both a personal and critical perspective, examining how the Garden relates to broader narratives of cultural and national identity.
Exhibition essay | Art Asia Pacific review | Running Dog review
Installation Photography by Docqment | Artwork Photography by Garry Trinh
Haw Par Villa #6 (Mermaid waving to crowds) (Installation view) 2018
Haw Par Villa Rock Study #22 (Installation view) 2018
Haw Par Villa #5 (Shepherd with goats) (Installation view) 2018
Haw Par Villa #7 (Rhino) (Installation view) 2018
An Image of a Tiger (Installation view) 2018
An Image of a Tiger (Installation view) 2018
An Image of a Tiger (Installation view) 2018
An Image of a Tiger (Installation view) 2018
An Image of a Tiger (Installation view) 2018
Haw Par Villa #8 (At monkey mountain), 2018, pastel and liquid pencil on primed aluminium sheet on top of bisque fired porcelain, 11 x 20.3 x 8.5cm
Haw Par Villa #8 (At monkey mountain) [Detail shot]
Haw Par Villa #5 (Shepherd with goats), 2018, pastel and liquid pencil on primed aluminium sheet on top of underglazed porcelain, 9.5 x 19 x 8cm
Haw Par Villa #5 (Shepherd with goats) [Detail shot]
Haw Par Villa #6 (Mermaid waving to crowds), 2018, pastel and liquid pencil on primed aluminium sheet on top of bisque fired porcelain, 10 x 18.3 x 9.5cm
Haw Par Villa #6 (Mermaid waving to crowds) [Detail shot]
Haw Par Villa #7 (Rhino), 2018, pastel and liquid pencil on primed aluminum sheet on top of bisque fired porcelain, 9 x 17 x 10cm
Haw Par Villa Rock Study #23, 2018, bisque fired underglazed porcelain, 9 x 15.4 x 7cm
Haw Par Villa Rock Study #22, 2018, bisque fired underglazed porcelain, 11.2 x 20 x 7cm
Haw Par Villa Rock Study #33, 2018, bisque fired porcelain, 6 x 18.9 x 12.5cm
Haw Par Villa Rock Study #32, 2018, bisque fired porcelain, 8.7 x 16 x 6cm
Haw Par Villa Rock Study #28, 2018, bisque fired porcelain, 10.6 x 23.5 x 6.5cm
Haw Par Villa Rock Study #30, 2018, bisque fired porcelain, 7.1 x 11.2 x 5.3cm
Haw Par Villa Rock Study #29, 2018, bisque fired porcelain, 9.6 x 17 x 7cm
Haw Par Villa Rock Study #26, 2018, bisque fired underglazed porcelain, 11 x 21 x 6cm
Haw Par Villa Rock Study #24, 2018, bisque fired underglazed porcelain, 10.5 x 18.5 x 9.2cm
Haw Par Villa Rock Study #25, 2018, bisque fired underglazed porcelain, 12.5 x 18 x 8cm
Haw Par Villa Water Study #3, 2018, underglazed porcelain, 5.4 x 18 x 15cm [Stockroom]